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Book Review: Slave to the Vine by Darren Delmore

Slave to the Vine: Confessions of a Vagabond Cellarhand

by Darren Delmore

Wine. It makes us feel so cool — sipping at home next to a roaring fire; ordering something unpronounceable at a the latest Michelin-starred restaurant; being seen, glass in hand, at the local hipster tasting room. It’s unfortunate that in this life-is-a-constant-photo-op day and age, wine has become a prop, a fashion-icon even. And for wine drinkers (as opposed to wine appreciators or wine students), the story stops there. To those wine drinkers I say: You know nothing.

What we pour into our glass is not a drink. It is a story — a story of a farmer who planted his parcel to vines; a story of climate and soil; a story of farmhands who pruned, picked, and sorted; a story of cellarhands who pressed, pumped, and racked. Forget the bottle, forget the label, forget your crystal stemware. Wine’s story is rustic, it’s dirty, it’s gritty. Wine’s story is a story of hard labor and hard decisions. Wine’s story: If you haven’t lived it, you don’t really know.

Darren Delmore has lived it and shares his story here.

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Winery Review: Castoro Cellars

When visiting Paso Robles, you’re pretty much in Rhone Ranger town. Grenache, Syrah, Mourvèdre are as common here as Pinot Noir and Chardonnay are along the Sonoma Coast. But if you’re looking to break away from the Paso-norm, maybe try a few obscure varietals, and have some outdoors-y fun while you taste, then your next stop is the family owned and operated Castoro Cellars: You’re in for some “Dam Fine Wine.”

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Luna Vineyards 2014 Sangiovese Classico

California Sangiovese can be a hard sell to hard-core Italian wine lovers. Can the climate and terroir of our sunny state create wines that pay true homage to the rootstock from whence it came? There are more winemakers producing Sangiovese in California than at least I certainly realize. And I’ve tasted quite a few — at various events and tastings around town — and I can say with confidence not all Sangiovese is made alike. It’s kind of a “just because you can doesn’t mean you should” situation. But if you’re going to try a Sangiovese that isn’t from the motherland, then I encourage you to seek a producer who’s focused on Italian varietals and Italian winemaking methods.

Say hello to Luna Vineyards. And to those of you only familiar with the Luna you see on the grocery store shelves, say hello to Luna’s elevated line — their Black Label. Say hello to Luna Vineyards Sangiovese Classico.

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Crux Winery: GSM Blending Trial

GSM is a classic red wine blend from the South of France, namely the Rhône valley. The acronym “GSM” comes from the grape names that make up the primary ingredients: Grenache, Syrah, Mourvèdre. It also indicates the percentages of each wine that makes up the final blend; although exact percentages will vary from year to year (depending on a particular vintage’s quantity and quality of yield), traditionally there will be the highest amount of Grenache, followed by Syrah, and finally Mourvèdre.

But because wine blending (and winemaking in general) is equal parts art and science, vintners will spend days, weeks, maybe even months perfecting their final blend. If you have a chance to participate in this art project/science experiment, do it. It’s an opportunity to learn about the importance of vintage and terroir, harvest and winemaking methods, individual grapes and final blends.

Blending trial at Crux Winery, February 2017; Photo by: Emily Davis, Pure Light Photography

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Book Review: Corkscrew by Peter Stafford-Bow

I came across this book when one of my Wine-Tweeps tweeted out that he was reading it. A sucker for anything literary and anything wine, I immediately threw it into my Amazon cart (along with like a 100-pack of k-cups, a pair of SJ Sharks earrings, new cereal bowls, a dishtowel to clean my Riedel stemware, and a kitchen sink…ah Amazon, the Target of internet shopping…). Not only did I thoroughly enjoy it, I highly recommend it — as a lit lover and as a wine lover.

WARNING: I was pre-disposed to British humour as a young child and have an affinity for blunt, tongue-in-cheek dialogue. I’m also not offended by the obscene, vulgar, or grotesque in writing, film, or life in general.

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